Born in Lima Peru | Based in Miami, FL 
 

Exploring the quiet power of the human form, Natalia Mancilla creates work that reflects emotion, sensitivity, and inner strength.

 

Drawn to art since childhood, she has always used creative practice as a way of understanding inner life and emotional experience. Although she pursued a parallel professional path, her connection to art remained constant, and over time her artistic practice became a central and deeply committed focus.

 

She has studied in a fine art atelier and has participated in workshops with professional artists in the United States and Europe, and continues to develop her work through ongoing study and refinement, guided by a belief in lifelong learning.

 

Her practice has evolved into a quiet, contemplative exploration of the human body, approached as both presence and symbol. She works primarily in pencil, charcoal, and oil, often incorporating gold leaf to bring a subtle, luminous presence to her compositions. Blending classical techniques with a contemporary sensibility, Natalia portrays the female form as an expression of resilience, delicacy, and emotional depth.

 

She has exhibited internationally, including Lima, Miami, Berlin, Barcelona, and Rome.

 

Through her art, Natalia bridges a lifelong love of creation with a dedication to continual learning and expression.

  • "I believe that sensitivity is a strength—one that, when embraced, reveals our deepest truths and connects us more deeply with ourselves and others. Through art, I honor this vulnerability, transforming it into a source of power and beauty."
  •  
     
    Selected appearances in print and online publications:
     
    Home & Garden UK
    – Featured in The Art Edit curated section
    – Print & online issues: October, November & December 2022; September, October & November 2023
    Abode2 Magazine
    – Featured in advertorial selections: Issue 55 (Nov–Dec 2023), Issue 61 (Winter 2023)
    – Two-page artist interview published in print & online: Issue 63 (Spring/Summer 2024)
    → Read the full interview (PDF)